Research Students
Doctor of Philosophy
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Sol Anderson
The Act of Listening, Objects and Noise
W:
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Stefano Catena [ DTP with U. Birmingham]
The Language of Music in Space: A Study of
Listeners' Perception to Develop a New
Vocabulary of Sound Movement
W:
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Robert Chafer [ DTP]
Creative Frameworks for Future Practice:
Cross-Synthesis of Mixed-Reality and
Audiovisual Composition
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Eddie Clijsen [ DTP]
Practical Explorations of Formalised
Approaches to Microtonal Composition
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Ross Davidson [ DTP]
Applying an Electroacoustic Approach to the
Soundtrack of Narrative Film
W:
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Katie-Jane Howard
Audience Perception of Digital Music Instruments
in Live Musical Performance
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Eva Kára
Writing the Political: Electroacoustic Music
Composition as Ideology
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Matt London
The Integrated Soundtrack: An Analytical
Exploration of the Auditory Elements of
Music, Sound Design and Dialogue within
Horror Cinema
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Christina Palandri [ DTP]
Materialising sound-based composition: exploring
multi sensory perception and audience engagement
between tactile and sonic spheres
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Samantha Topley [ DTP]
Craft-Focused Electronic Instrument Building
W:
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Mungo Zhangruibo
Assisting the Development of the Field of EA
Music Studies in China
W:
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Masters by Research (MA or MSc)
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Joe Hitchen
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Kris Parker
Exploring the Potential and Means for Making
Original Electronic Music to Enrich our Experience
of Historical Silent Film
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Matt Rogerson
Sensory Overload: Noise, Mind, Emotion
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Connor Snape
Fundamentals of Adaptive Audio Design
in an IDM Context for Video Games
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Joe Stillwell
Interdisciplinary Improvisation
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